Vijay Stambh

A Must visit Heritage Place

Home Page


Home Page
  1. Triumph tower – Chittorgarh review

The Vijaya Stambha is a telling triumph milestone arranged inside Chittorgarh post in Chittorgarh, Rajasthan, India. The zenith was produced by the Mewar ruler, Rana Kumbha, in 1448 to praise his triumph over the united huge numbers of Malwa and Gujarat driven by Mahmud Khilji. The zenith is committed to Vishnu.[1]

While Vijaya Stambha is its typical name, it is really a Kirttistambha or Kirti Stambha, a "tower of fame"The engraved pieces in the most astounding story containing a positive family ancestry of the pioneers of Chittaur and their deeds is credited to Ran Kumbha court scientist, Atri and his youngster Mahesh. The names of the organizer, Sutradhar Jaita and his three kids who helped him, Napa, Puja, and Poma, are cut on the eighteen story of the tower.[1]

The Vijaya Stambha is an essential instance of religious pluralism cleaned by the Rajputs. The most noteworthy story incorporates an image of the Jain Goddess, Padmavati. Rana Kumbha similarly had the word Allah cut in Arabic on various occasions in the third story and on numerous occasions in the eighth.[3][4]

Vijay Stambh, Chittorgarh

Vijay Stamb Overviewha, generally called triumph tower, is a touch of check of Chittorgarh. It was produced by the master of Mewar, Rana Kumbha to laud his triumph over the joined forces of Malwa and Gujarat driven by Mahmud Khilji, in 1448. The amazing zenith was created between the season of 1458 and 1488 and is so tall and huge that it is indisputable from any bit of the city. Consequently, the entire town can be seen from here.

Vijay Stambh is a commitment to Lord Vishnu and has complex carvings and models of Hindu Gods and Goddesses. The internal bit of the apex has carvings of weapons, melodic instruments, and diverse gadgets used in that period. It is an extraordinary instance of religious pluralism cleaned by the Rajputs. The most hoisted story contains an image of the Jain Goddess, Padmavati. Moreover, the word Allah is cut on numerous occasions on the third story and on different occasions on the eighth story, all in Arabic. The brilliant apex is a touch of structure that is frequented by voyagers visiting the city and makes them feel satisfied with the lively history of the country.

Complex Carvings on Vijay Stambh

Vijay Stambh has engraved lumps in the most noteworthy story; which contain a brief family ancestry of the pioneers of Chittaur and their challenging deeds. This incredible endeavor was done by Rana Kumbha, the court scientist and Atri and his tyke, Mahesh. On the fifth story, the names of the modelers are cut; explicitly, Sutradhar Jaita and his three youngsters, Napa, Puja, and Poma.

Building of Vijay Stambh

Created of red sandstone and white marble, Vijay Stambh has an exhibition on every story. The apex is nine stories tall with a stature of 37.19 meters and a base height of 3.0 meters. One needs to climb 157 phases to accomplish the most elevated purpose of the zenith. In this way, the best has a spellbinding point of view of the entire city.

The best

vijay stambh, triumph tower, tower of distinction, chittorgarh

Vijay stambh, (Victory tower) is situated on Chittorgarh fortVijay Stambh is arranged at a division of 5 km from the point of convergence of Chittorgarh on Fort Rd. One can without quite a bit of a stretch take a rickshaw, neighborhood transport or taxi or just walk it out.

The apex is charged by illuminating it with lights in the midst of the night. Thusly, you can visit the Vijay Stambh around night time to get a sparkling point of view of the zenith.

Known by the name of Victory Fort, this monster zenith was created some place in the scope of 1442 and 1449 AD by Rana Kumbha. It was worked in the worship of Rana Kumbha's triumph over Mahmud Khilji. The 10 foot long zenith is made by the mix of two rocks-red sandstone and marble. There are nine stories in this fortification with all of the stories having its very own individual shade standing up to outwards. As one encounters the staircase one meets with a substitute point of view of either the central chamber or the adjoining display. A visit to Chittorgarh is divided without seeing this zenith.
This site was built using